(Citizenship, the Welsh Language Board, and marketing the Welsh language)

‘D.J. a fi’ draws on aspects of the work of Welsh author D.J. Williams and examines their potential to inspire the creation and inform the analysis of contemporary site-specific performance. Williams’s memoir, The Old Farmhouse, provides unique insights into the landscape of childhood, the located nature of memory, the dramaturgy of storytelling and the role of the teller. The author employs these insights to develop and suggest a number of practical and theoretical approaches to the use of biography, family history, domestic architecture and local knowledge in devised performance. Referring extensively to his own work, ‘Bubbling Tom’ (2000), a peripatetic solo performance staged in the village of his own upbringing in rural Lincolnshire: a guided tour of the places he knew at the age of seven – he discusses the importance of Williams’s work in inspiring dramatic forms that seek to reveal the grain of experience by addressing the intimate and familiar, the details of everyday life and its fabric.

This article explores the cultural implications of female celebrity acquired through involvement in the colonial missionary activity of the Welsh Presbyterian Church. Women were directed to perform particular functions in the process of constructing Christian communities in British colonies, among which were the conversion of other women and the provision of descriptions and explanations of the mission to a home audience. Along with lectures and sermons by missionaries on furlough, and missionary exhibitions, the main transmission route for this communication was the denominational missionary press. This article examines the ways in which the female missionaries presented themselves and their work to the audience at home in the missionary press between 1887 and 1930, and suggests that the images they presented, and the undertones that can be found in their writing, were the main inspiration for Welsh Presbyterian women to support the missionary cause, and form themselves into a remarkable movement that became a vital channel for the sponsorship of missionary work.

Research on the acquisition of grammatical gender has shown that in many languages children gain an early command of gender. Often in these languages gender marking is quite overt and provides a clear one-to-one correspondence between a marker and the gender encoded. In Welsh, however, gender marking is more complex. It is marked by mutations, a set of morpho-phonological changes that affect the initial consonants of words, and the mapping between mutation and gender is quite opaque.  Two mutation types are used to mark feminine gender: both feminine nouns modified by the definite article and adjectives following feminine nouns undergo soft mutation, and the feminine gender of the possessive adjective ‘ei’ is marked by aspirate mutation of the modified noun. This paper presents two studies that examine children’s and adults’ productive command of gender as expressed in the mutation of nouns modified by the definite article, and adjectives modifying nouns. Children, between the ages of 4½ and 9 years old, and adults were invited to take part in the studies. First, a semi-naturalistic study was conducted to obtain knowledge about speakers’ usage of gender marking. A Cloze procedure was then used to elicit speakers’ production of masculine and feminine forms, with both real words and nonsense forms, in a variety of linguistic contexts. Some of these contexts provided cues to gender status, some did not. The data obtained indicated that the acquisition of the Welsh gender system is a long drawn-out process, and children have not mastered the system even by 9 years of age. Welsh speakers, even in adulthood, pay little or no attention to the possible cues present in the input. Results suggest that when a language has a complex gender system that is marked by opaque morpho-phonological processes the course of development is protracted and variable.