Implications of changes in the age profiles of Welsh speakers

This article outlines the valuable contribution made by Annie Ellis (neé Davies) to the folksong revival in Wales and in particular her influence in the Aberystwyth/Cardiganshire district during the early decades of the Twentieth Century. It draws on original correspondence, fieldwork diaries, notated transcriptions, newspaper articles (in Welsh and French) and phonograph recordings from the National Library of Wales, the British Library, Bibliotèque Nationale de France and private collections. The following areas are discussed: Annie Ellis’s involvement in folksong related activities at the University of Wales, Aberystwyth, including the establishing of the Canorion Society, folksong collecting competitions and performances of J. Lloyd Williams’s operetta, Aelwyd Angharad (Angharad’s Hearth). Six historically significant concerts of traditional Welsh music given by a quartet of undergraduate singers in Paris during March 1911, including performances at Le Lied en Tout Pays and the Richelieu Amphitheatre (Sorbonne). This visit represented the embodiment of the Entente Cordiale established between Britain and France during the years leading up to the First World War. Association with Madame Lucie Barbier (head of vocal studies at the University) and the positive response of the Parisian press. Ruth Lewis and Annie Ellis’s three day fieldwork visit to Landyssul, Pencader and the surrounding district in June 1913 and the outcome of their folk song collecting, including an evaluation of the texts and melodies collected. The article also highlights the role of one Edwardian woman in developing the cultural life of Wales and her attempts to promote Welsh traditional music on an international platform.

The paper investigates the structure and behaviour of the nighttime ionised (electrified) atmosphere in the polar and auroral regions; the region where the aurora borealis occurs. Of particular interest are plasma structures on horizontal scales of hundreds of kilometres. The observations presented were made by the radiotomography experiment of the University of Wales, Aberystwyth, which has four satellite receiving systems in the high Arctic near the north pole, at Ny Ålesund and Longyearbyen on Svalbard, Bjørnøya (Bear Island) and Tromsø on mainland Norway. Comparisons of tomography images with observations of plasma flow by the international SuperDARN radar suggest that large density plasma produced on the dayside flows across the polar region and into the night sector. The results contribute to the interpretation of physical processes that couple the Earth's environment with space, and are also of interest to users of radio systems where the ionised atmosphere can degrade the propagation of the signals.

This paper examines the background and underlying assumptions involved in a public debate between Dr Kate Roberts and Dr Thomas Parry which was conducted in the columns of the Genedl newspaper in the early nineteen thirties. The subject of the debate was the policy governing the selection of plays for the annual performance of the Bangor students’ Welsh Drama Society. Since its ground breaking production of Ifor Wiliams’s translation of A Dolls House in 1926 the annual Bangor drama production had come to be seen as an event of considerable importance in the programme of the Drama Movement in Wales. However, the author of the article suggests that analysis of the aesthetic and cultural assumptions of the two authors – themselves figures of central importance at the time – raises issues of wider importance than the Drama movement itself, which continue to affect academic and cultural debate today.