This paper examines the background and underlying assumptions involved in a public debate between Dr Kate Roberts and Dr Thomas Parry which was conducted in the columns of the Genedl newspaper in the early nineteen thirties. The subject of the debate was the policy governing the selection of plays for the annual performance of the Bangor students’ Welsh Drama Society. Since its ground breaking production of Ifor Wiliams’s translation of A Dolls House in 1926 the annual Bangor drama production had come to be seen as an event of considerable importance in the programme of the Drama Movement in Wales. However, the author of the article suggests that analysis of the aesthetic and cultural assumptions of the two authors – themselves figures of central importance at the time – raises issues of wider importance than the Drama movement itself, which continue to affect academic and cultural debate today.
Ideology and aesthetics in the drama movement
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