Searching for subjectivity in Tahar Ben Jelloun's L'Homme rompu

This article aims to draw critical attention to interesting features in the work of the Sardinian author, Grazia Deledda (1871-1936), an author who has not received sufficient critical attention. The article examines the relationship between identity, language and narrative in two of Deledda’s key novels, namely La madre (The Woman and the Priest / The Mother) and Il segreto dell'uomo solitario (The Secret of the Solitary Man). It analyses the way in which the two protagonists undergo a journey of self-understanding by facing their hopes and troubles in life. We see that while linguistic interaction is necessary for some, language itself serves as a weapon for others to control their own identity and even the identity of others.

This article examines the way Michael Roes redefines friendship in his novel Geschichte der Freundschaft (The History of Friendship) by usig texts by other writers and philosophers. After placing Roes’ novel in its historical and cultural context, the article compares Geschichte der Freundschaft with Tahar Ben Jelloun's novel Partir / Leaving Tangier (2006). The final section of the article then interprets Roes’ use of intertexts on the subject of male-male friendships. The focus is on Roes’ appropriation of texts by Friedrich Nietzsche and Michel Foucault, which throws light on his treatment of the novel’s central theme, friendships between men, and homosexual relationships.

This article examines a Welsh choir’s visit to Franco’s Spain at the invitation of the Francoist organisation Educación y Descans (Education and Leisure). At first the invitation sparked a debate in the local press on the principles of travelling to a country that was at the time shunned by the international community. The choir itself came from an area which had provided volunteers for the international brigades, but which was also co-incidentally involved with the establishment of an international music festival in the name of peace and understanding. The article examines the account of the choir’s journey to Spain, and discusses how the image of the Franco regime is portrayed in that account. The article also analyses to what extent the choir’s visit was used as propaganda by Franco as his foreign policy shifted with the advent of the Cold War.