Separado! (2012)

This article discusses two aspects of Grace Williams’ (1906–1977) output that have been neglected in the current bibliography about the composer, which are her vocal arrangements of Welsh folk tunes and her only opera, ‘The Parlour’. Bearing in mind that Grace Williams is mainly associated with orchestral music, this research reflects the desire to investigate and give deserving attention to the works that have been ignored in the past. The need to reconsider the significance of her folk-song arrangements and the opera is emphasized with the aim of getting a complete picture of the composer’s output. The discoveries are based on recent research that has already been presented as a MARes degree (Bangor University 2022) and current research for a doctoral degree that is to be completed in the coming years. Author: Elain Jones

This paper presents a quantitative analysis of the phonological variation of (ai) in final unstressed syllables with regard to the orthographic , and in Cardiff Welsh. Due to a lack of research on Cardiff Welsh, it is unclear what form or forms are common for (ai), and this paper presents a contemporary analysis of this feature by examining the effect of dialect contact and standardization on Cardiff Welsh. An analysis of a range of linguistic and social factors affecting (ai) variation in final unstressed syllables in Cardiff Welsh is also presented. This paper also considers the implications of forming new dialects in the context of language revitalization.  Author: Ianto Gruffydd

This collection contains six e-learning packages on the following areas: Business within the Creative Industries Art and Design within the Creative Industries Communication and research in Creative Media Exploring the Performing Arts and Professional Practice Career Pathways and opportunities within the Creative Industries in Wales Music industry and professional practice The packages are suitable for learners studying the relevant qualifications at levels 2 and 3 at further education colleges.

Pūtahitanga:  te reo Māori (in the Māori language) which describes a community coming together to work together on a specific idea, topic or challenge. The word embodies the ethos of the research project that uses it as a title: The Pūtahitanga Project. This is a project that explores popular music, language and identity in the Welsh and Māori contexts. As part of the project, Dr Elen Ifan from Cardiff University received an Innovation Grant from the Coleg Cymraeg Cenedlaethol to hold workshops in Aotearoa (New Zealand) and Wales with musicians who use Māori and Welsh in their work. This resource shares clips from the workshop in Cardiff and includes activities to involve you in our research as well. It is mainly designed for higher education students, but it is also relevant to anyone interested in Welsh popular music and the worksheet is suitable for AS and A level as well. The project essentially aims to find connections between the experiences of musicians who use two minority languages ​​(Welsh and te reo (the language) Māori), trying to understand the various challenges facing these musical communities , but without directly comparing. The project uses creative research methods and involves audiences in the research. This resource forms part of that work. The video files include a presentation by the lead researcher and clips from a workshop held in Cardiff in November 2023. The worksheet guides the person using the resource through the activities, encourages them to engage with the themes of the project, to think about what is relevant or important to them, and invites creative responses to the research.